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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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The first woman detective franchise in Bengal

Running on the streaming platform Hoichoi, the first woman detective franchise in Bengali, Damayanti could have done with much less talk and mo...

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Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

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Simran Puri’s Kangan

Women are equals now by law but back then it was different…

The story unfolds amidst the splendour ...

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ONLY FRENCHMEN AND BENGALI’S ARE INTELLECTUALS

“The whisper more effective than the shout

The gentle rain

13 Reasons Why: Of Polaroids, Phantoms and a Pending Verdict

The verdict is pending. Does Hannah get justice? Well, you have to see to come to know about it. The series tha...

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Encouraging Local Communities to Appreciate Local Nature

When you think about nature, cities are not what comes to your mind. Nature is a camping trip to a state park, ...

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How Classics Define Today’s Hollywood

While looking back into the history of cinema isn’t the preference of youth today, it's no doubt that cla...

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